Because he looked back

Listening to Orpheus (13)

Philip Pullman on the myth of Orpheus.
“The power resides in the events, not in the telling”

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He has to vanish

Sonnets to Orpheus I/5

Erect no gravestone for him . Only this:
let the rose blossom each year for his sake.
For it is the god.  His metamorphosis
in this and that. We do not need to look

for other names. It is Orpheus once for all
whenever there is song. He comes and goes.
Isn’t it enough if sometimes he can dwell
with us a few days longer than a rose?

Though he himself is afraid to disappear,
he has to vanish: don’t you understand?
The moment this word moves out beyond our life here,

he has gone where you will never find his trace.
The lyre’s strings do not constrict his hands.
And it is in overstepping that he obeys.

R.M. Rilke Sonnets to Orpheus I/5

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This silent moment

© Kaphaphoto

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Difficult is closer to the truth

Listening to Orpheus (12)

What is a man required to give up to become eligible to dare the descent into the underworld and reemerge with something really new, radically different and groundbreaking ?

This is a full length movie exploring the story behind the symphony III (Eroica), Beethoven’s passion for his work, his unrequited love for an unattainable woman and the reactions and observations of those who are present.

Set against the revolutionary climate of the early 1800s, Beethoven – who is suffering from a gradual loss of hearing – confounds his audience by producing a score dedicated to Napoleon Bonaparte (which he later retracts), which surpasses the old classical style of his contemporaries and introduces the new concept of a romantic style.

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Fearing – the song

Fearing is Track 3 on The Amygdaloids‘ Theory of My Mind CD on the Knock Out Noise label.

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The capacity to discover

Gangaji on difficult decisions, death and surrender. Life is a teaching story…

Life is a journey

 “Awakening is endless” – A conversation between Tami Simon and Gangaji
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We don’t need a reason…

The shared experience of absurdity. An inspiration.

Watch how in the end he feels compelled to address the common critique to his action ” These people have too much time on their hands”. This does say something about our addiction to the “reward system”, does it not ? As if making people laugh for no money was something – absurd.

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How do you live your dream ?

Listening to Orpheus (8)

This series is really about discovering the creative flow in all of us. How do you approach it, how do you work with it and how do you align the appearance of the outside world with a felt inner reality ?

How do you live your dream ?

This is from a book trailer…( I LOVE book trailers)

And speaking of ideas…here is another book about “Making Ideas Happen”

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Orpheus entering the Hades

Engraving of Orpheus Entering Hades, from Joseph Spence's Polymetis

 Listening to Orpheus (11)

The second movement of Beethoven’s 4th piano concerto is said to have been  been inspired by Orpheus entering the Hades.

L v Beethoven Piano Concerto No. 4 G Major – II. Andante con moto, D Barenboim
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The trees gather around Orpheus

 

 THE TREES GATHER AROUND ORPHEUS

There was a hill
whose summit was an open level plain
with fresh green turf, a place which had no shade.
But when that poet, born of gods, sat down
and struck his lyre strings, the trees moved there.
Chaonian oak and groves of poplar
(Phaëton’s sisters), oak trees thick with leaves,
tender lime, beech, and virgin laurel trees
came to the place, with brittle hazels, too,
and ash trees (used for spears), clear firs, holm oaks
weighed down with acorns, delightful plane trees,
maples in all their various colours,
with willows, which grow by banks of rivers,
watery lotus trees, as well as boxwood,
which is always green, slender tamarisks,
twin-coloured myrtle trees, and viburnum
with its dark blue berries. You ivy trees
with twisting shoots came, too, and leafy vines,
ivy-covered elm trees and mountain ash,
spruce, wild strawberry loaded with red fruit,
and bending palms, the prize of victory.
You pines were there, your needles gathered up
into a bushy crest—a pleasing sight
to the mother of gods, for Cybele’s Attis
exchanged his human form for such a tree
and hardened in its trunk.

OVID ~THE METAMORPHOSES

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