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Category Archives: The Coffee Table
The savage teacher
With thanks to Glerikud for finding Truth in animation ;-). Enjoy
Limitations are part of life
(a painture by József Kecse) We usually try to find more and more limitation, because we think that freedom is something where there are no limitations. * True freedom is to realize our limitations.
Posted in Arts & Crafts, The Armchair
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The flip side
One of the most famous artworks of the 15th century – and one of the most renowned religious paintings of any century – is the Altarpiece of the Lamb. Called The Ghent Altarpiece due to its location in the Saint Bavo Cathedral … Continue reading
Posted in Arts & Crafts, Room to Read
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x-mas is on it’s way
Two photos that I took on a trip to London
Musica sacra (5)
The Credo, a setting of the Nicene Creed, is the longest text of a sung Mass. It is a statement of belief. Who listens – or reads through it – with an open mind, will find many pointers. In particular the most … Continue reading
Posted in Classical Music
Tagged Beethoven, Coronation Mass, Credo, Herbert von Karajan, Missa Solemnis, Wolfgang Amadeus Mozart
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Imagineering
Imagineering by Jerome You see sheer and jagged rock, Overhangs and shadows, lichen Grey and green on granite Looming high above any comprehension Of ascending, With only circumnavigation possible. You consider the majesty of the cliff An enigma, cold and … Continue reading
Posted in Original Poetry
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Radiant love, joyful death
Siegfried is a story about awakening. The young hero who does not know fear, is transformed by awakening the sleeping Brünnhilde who agrees to join him. This is the animus/anima symbolism, the transcendence of the masculine in union with the … Continue reading
Posted in Classical Music
Tagged anima, animus, feminine principle, masculine, Siegfied, Wagner
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Love yourself and let me be
Brünnhilde teaches Siegfried about the nature of Love, ‘Ewig war ich’ Wagner Der Ring des Nibelungen Siegfried Bayreuther Festspiele Barenboim Kupfer Evans
Posted in Classical Music, Toaster & Fridge
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