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Category Archives: Classical Music
Pictures of an Exhibition
Modest Mussorgsky “Pictures of an Exhibition” Vienna Philharmonic Orchestra Conductor: Valery Gergiev From an open air concert June 6, 2011 at Schloss Schönbrunn in Vienna
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Nights in Spanish Gardens
Beauty and Perfection Manuel de Falla: Nights in Spanish Gardens Daniel Barenboim and the Vienna Philharmonic Orchestra Live Concert 2009
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Emotions and Music
By Now_is_here George Friedrich Handel successfully exposed Jealousy and Envy, which are the most powerful of negative emotions. Handel also depicts Narcissism in a new light: 1) Handel – Hercules ‘Jealousy! Infernal pest’ “Jealousy! Infernal pest, Tyrant of the human … Continue reading
Posted in Classical Music, Toaster & Fridge
Tagged Envy, George Frideric Handel, Jealousy
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You ask that I forget you ?
I love to watch artists at work. This is a working session of the Bulgarian mezzo-soprano Vesselina Kasarova & Nikolaus Harnoncourt animating the aria “Ch’io mi scordi di te?” from Mozart’s ” La clemeza di Tito”. (The conversation is in … Continue reading
Posted in Classical Music
Tagged Nikolaus Harnoncourt, Vesselina Kasarova, Wolfgang Amadeus Mozart
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Making Mozart
William Christie and Les Arts Florissants; Mozart: Mass in C minor, K427
If the tears on my cheek…
One of the most beautiful scenes of the St Matthew’s Passion: Können Tränen meiner Wangen If the tears on my cheeks can Nichts erlangen, Achieve nothing, O, so nehmt mein Herz hinein! O then take my heart! Aber lasst es bei den Fluten, But let … Continue reading
Posted in Musica Sacra
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Lamb of God
J.S. Bach – St. Matthew Passion BWV 244 Kommt, ihr Töchter, helft mir klagen, Come, you daughters, help me to lament, Sehet – Wen? – den Bräutigam, See-Whom ? -the bridegroom, Seht ihn – Wie? – als wie ein Lamm! … Continue reading
Posted in Musica Sacra
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When all the world is renewed
R. Wagner: Parsifal (Good Friday Music) There is beginning in each end. That is the symbolism of Good Friday
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A silent teaching
Daniel Barenboim, Jonathan Biss and Beethoven (Piano Sonata 30, Op 109) ” It does not shy away from the extremes, and it does not look for a synthesis that is made up through a reduction of the different elements”
Posted in Classical Music, Teacher & Teachings
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